Wednesday, October 15, 2014

SEAN TAYLOR: Five Things Learned Writing OF MONSTERS AND MEN

NEW FROM MOONSTONE BOOKS!
INCLUDES "Sanctuary" by Sean Taylor -- featuring the Golden Amazon and Quasimodo!

Nine brand NEW tales of PULP HEROES vs MONSTERS!
The Golden Amazon, Green Lama, Richard Knight, Captain Future, Green Ghost, Moon Man, and more…

Battle demons and monstrosities from out of this world, by some of today's top talents!
 
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1. I learned that characters I've never heard of before can quickly become your new favorites to write.
 
I have to admit that I wasn't familiar with the Golden Amazon prior to writing the tale, but I fell in love with her attitude and voice as I read the notes and the previous stories that featured her.
 

 
2. I learned that sometimes you have to ignore the established story that everybody knows.
 
Quasimodo was the good guy, the hero, the misunderstood monster. I had to make him a bad guy for the story concept that I was given to work. So I did. (Even if I didn't twist it back around later, but you'll have to read the story for that nugget.)
 
3. I learned that the Global Chill station on Pandora is one of my best writing tools.
 
I must have listened to this one non-stop while I was writing this story.
 

 
4. I learned that it's important to put your story title in BIG, BOLD fonts so they don't get missed.
 
The story is supposed to be called “Sanctuary” but it got the generic title of “Return of the Monsters” instead because I typed that on the first line and the actual title on the second line. Sigh.
 
5. I learned that sometimes one takes a “starter” job for a new publisher, and it can turn into something bigger as time progresses.
 
I learned that even a “starter” job can turn into something you really, really, really enjoy and lead to a new regular character you'd love to continue writing. (Refer to #1 if you have a short attention span or got distracted by a shiny, new squirrel.)
 
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Sean Taylor is an award-winning writer of stories. He grew up telling lies, and he got pretty good at it, so now he writes them into full-blown adventures for comic books, graphic novels, magazines, book anthologies and novels. He makes stuff up for money, and he writes it down for fun. He’s a lucky fellow that way.

He’s best known for his work on the best-selling Gene Simmons Dominatrix comic book series from IDW Publishing and Simmons Comics Group. He has also written comics for TV properties such as the top-rated Oxygen Network series The Bad Girls Club. His other forays into fiction include such realms as steampunk, pulp, young adult, fantasy, super heroes, sci-fi, and even samurai frogs on horseback (seriously, don’t laugh). However, his favorite contribution to the world will be as the writer/editor who invented the genre and coined the term "Hookerpunk."
 
For more information (and mug shots) visit www.taylorverse.com and his writer’s blog at seanhtaylor.blogspot.com.
 
 
Links to Sean's work:
 
•                     The Taylorverse: My Official Website
•                     Amazon
•                     The Ruby Files
•                     Show Me A Hero
•                     Lance Star Sky Ranger
•                     Blackthorn: Thunder on Mars
•                     Many Worlds of Ulysses King
 
Sean's Social Media Links
 
•                     About.Me
•                     Facebook
•                     Google+
•                     Linked In
•                     Twitter
•                     Good Reads
 
 
 
 
 
 

Monday, October 13, 2014

MADDIE JAMES: Five Things I Learned Writing Pirates I can Relate to my Own Life

 
I can't say I have ever read a real deal romance novel or series of stories, but, hmm, the idea of time-travel and pirates, hmm, I may change my mind and try a toe tip dip into one of Maddie's books. As a bestselling Romance author, she obviously knows how to write some great tales and characters.
 
Here is her "things learned" writing, well, pirate things...  :)
 
 
1. Pirates were cool dudes.
 
They were free spirits. Maybe even they were the original hippies. They floated about the seas on borrowed vessels, from island to island, coastal town to coastal town, nary a care in the world. They often partied all night and slept until they woke up. They loved their lifestyle, although not everyone else understood it.
 
I have that same free spirit mentality flowing in my blood. I love to sleep until I wake up, although I don’t party all night. Usually I’m up writing or working on a project. (wild woman here) People think it’s cool to be a writer, even though they don’t understand how it can be your full time job. So, pirates taught me to be cool with being cool, just the way I am.
 
2. Pirates charted their own course.
 
Although it was not so cool to chart your own course in life at the pain and suffering of others, nevertheless, pirates went “indie” early on, didn’t work for “the man” and reported only to themselves. The raping and pillaging notwithstanding, pirates were ahead of the game.
 
It took me a while to chart my own course in life. Even though I am a product of the 60s and 70s free spirit generation, I grew up in a conservative little town, within a conservative little family. Things were expected. High school, college graduation, a strong work ethic, get a job, pay your bills. I did what was expected for a lot of years, but the wayward pirate inside of me constantly whispered “you need to write” “you need to be in control of your life” “you need to quite your day job.”
 
Oops. I quit my day job. I’m now a rogue pirate writer not working for the man. I am charting my own course, and I am still working hard and paying my bills. Happily.
 
 

3. Pirates had many names.
 
I can relate. Pirates often didn’t want their bad reputation going back on their families, so they changed their names. This is why Edward Teach, or Edward Thatch, (even if those were his real names) changed his name to Blackbeard.
 
And this is why I have pen names. Not that I think I’ll ruin my family’s reputation, but in many cases, it’s just to keep my writing and personal lives separate. And oh, please don’t tell my mother about my erotica pen name….
 
4. Pirates loved the ocean.
 
They lived the “salt life.” What is the salt life? (Maybe see #1 above?) I’ve seen the bumper and window stickers, the t-shirts and ball caps. I think I know what it means but to be sure, I had to look it up. Here is what it means to live the salt life. According to the website at the previous link, “Salt Life is an authentic, aspirational and lifestyle brand that embraces those who love the ocean and everything associated with living the “Salt Life”.” Cool. Oh, so very cool. The Urban Dictionary also defines as “a surfer, bodyboarder, or general beach bum whose life centered around the ocean or related beach going activities.” See, pirates were so ahead of their times, again!
 
It was probably the early 90s when I was lured by the ocean and sand and surf. Once there, I could feel the pull, and it lures me back year after year….
 
5. Pirates liked pretty things.
 
Like baubles, and gold, and jewels, and buried treasure. I’m a woman, so I like these things too. In fact, in my book, Brazen, my heroine, Tory, was drawn to a silver-plated, bejeweled skull in a pirate gift shop on Ocracoke Island in the Outer Banks of North Carolina. See?
 
 
 
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An abridged excerpt from Brazen, Book Two, Soul Mates Series:
 
Colt led her another aisle away and as they were about to turn the corner, a sparkling object in a darkened corner of the room caught her eye. It made her halt outright, dragging Colt back to her side.
 
Sitting on a black velvet covered table, with a small light shining down and illuminating its silver brilliance, sat the chalice.
 
Blackbeard’s Chalice.
 
 “Ah, I see you’ve found me pretty.” The strong island voice was behind her now. Close. Too close. So close she could inhale the stench of him.
 
“What?” She whirled to face him.
 
“My pretty cup. What do ya think? Made from Blackbeard’s skull, itself. Or so they say. Have ya seen anything so pretty in your life, lass?”
 
Tory glanced at Colt, whose gaze was pinned to the thing.
 
“Is it real?” he asked. “The real one?”
 
A bellow of laughter split the stale air in the room. Both she and Colt tore their gazes away to look at the man’s face.
 
“Ah, but I could wish. One more quest in me search to find the bastard’s treasure. To possess the chalice would be a blessing. But sadly, this is only a fine-honed replica.” Then he winked, leaning closer to Tory. “At least that’s what I tell the people.”
 
“The jewels are different,” she muttered.
 
The man stepped closer. Tory avoided his gaze. “What say ya, missy? The jewels are different? And how would a young miss as yerself know such a thing?”
 
“Different than she thought they would be.” Colt put himself between her and the man. “Fascinating story, chap. I would love to speak with you more about that sometime. I’m a writer, you see, and I’m writing a book on pirate folklore in the area. A fictional account, however, and perhaps I’ll come back and chat with you another day.”
 
And with that, he ushered her quickly toward the front of the store, his grip tight on her elbow and his stride so long it was difficult for her shorter legs to keep up with him.
 
“Colt.”
 
“Sh.”
 
“But—”
 
“Shut up, Tory,” he hissed under his breath.
 
When the door slammed behind them and she heard the tinkle of the bell cease, she kept up with six of his long strides down the street, and then stopped abruptly and jerked her arm away.
 
“There are no rubies in Blackbeard’s Chalice. Only emeralds and diamonds and one lone sapphire. No rubies.” She exhaled deeply as she said the words.
 
He moved closer and spoke again, his voice barely above a whisper. “And how do you know this?”
 
She knew she might as well give him everything. “Because I possess the real Blackbeard’s Chalice, Colt. It belongs to me. My family.”
 
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Book Blurb for SOUL MATES, BOOK ONE
 
Soul Mates, Book One (Time Travel, Romance, Suspense, Paranormal)
The Legend of Blackbeard's Chalice
 
Can souls touch through time and hold on when all odds are against them?
 
Claire Winslow vacations on an East Coast barrier island, content with her life and her potential future--until the illusion of a man walking the misty shore haunts her. Then one kiss--a beautiful, soulful, stolen kiss in the night--and her life changes forever.
 
Nearly 300 years past, Jack Porter is in hot pursuit of his kidnapped wife. Not an easy feat considering the year is 1718 and the kidnapper is the notorious pirate Blackbeard aka Edward Teach. Determined to rescue his wife and take the pirate's head in the process, Jack steals aboard the pirate's ship to save her.
 
Entranced sends Jack and Claire on a wild search through time, not only for the resolution to a powerful attraction between them, but also for a historical artifact that holds the key to their future happiness--the coveted silver-plated chalice made from Blackbeard's skull.
 
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Maddie James is the author of 34 books, including the Soul Mates: The Legend of Blackbeard’s Chalice romance/time travel series, where she writes about pirates of the past and a modern-day pirate cult, all caught up in the name of romance, of course. You can learn more about her books at www.maddiejames.com.
 
Connect on:
Twitter @maddiejames
Google+ google.com/+MaddieJames
 
 

Wednesday, October 8, 2014

MYSTI PARKER: Five Things Learned Writing THE ROCHE HOTEL



The Roche Hotel
Season One
A serial romantic comedy

After her husband ditches her for a blonde actress wannabe, Jane Seymour needs a job that pays the rent. The struggling Roche Hotel needs a miracle. With the former owner’s wife butting her nose into the renovations and new owners who are in way over their heads, Jane may be the answer to their prayers. Sure, she can handle The Roche Hotel’s quirky staff. But, can this skittish divorcee keep it all together when handsome Henry the Donut Guy makes his first delivery? This collection of serial fiction stories is a Tudorific romantic comedy that will leave you laughing out loud and hungry for more.

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1. My memory’s not shot.

While writing each episode, I remembered some specific details from my real-life days as a front-desk clerk, along with more memorable events like the dead body in Room 12. Other jobs I worked as  young lady aren’t nearly so clear in my mommy brain. Maybe because my hotel job was the first job I worked after moving to Louisville and marrying my high school sweetheart. Or maybe it’s because it was the first job I ever worked a graveyard shift. Either way, I not heading toward Alzheimer’s just yet—yay me!!

2. The choices are endless.

Think about a hotel, even a struggling little mid-priced one like the Roche. From my own experience working in such a place, I saw quite the variety of people and situations. So, I’ve got a limitless supply of quirk to choose from when it comes to the Roche Hotel’s cast. Like Carol, the close-talking desk clerk, Jerry the sasquatch-like maintenance man, and Mrs. Roche who can’t keep her nose out of the new owners’ business and is determined to cover the nether regions of that naked David statue in the lobby. Throw them all together in a 50-room hotel, and I’ve got tons of potential new episodes.

3. Donuts can be sexy.

Especially when delivered by a handsome fellow like Henry Hermann. Just ask Jane:


He opens one of the boxes and holds it within my reach. I pick up a donut and take a bite. 

Still warm and melt-in-your-mouth good.

“Mmm, this is delicious.”

Henry closes the box and takes a tissue from the Kleenex dispenser beside the wall. Why hadn’t I noticed those before I sacrificed my poor sweater [to clean up the spilled coffee]? 

He reaches across the front desk and wipes the corner of my mouth. Warmth crawls up my cheeks.

“You had a little icing there,” he says with that knee-weakening smile.

See?

4. Serial fiction is not dead!

Today we live in the trilogy age. So many darn stories out there come in sets of three, with the first two ending in cliffhangers. Why??? Oh I’m sure it’s a good marketing technique—make the reader HAVE to keep buying them. But, frankly that annoys the crap out of me, particularly when the author isn’t done with the trilogy and you have to wait a year or more to read the next installment. That’s why each book in my fantasy series is a standalone story, and that’s why The Roche Hotel is written in collections (seasons) of episodic stories that don’t leave us hanging on nail-biting cliffhangers. There’s enough of an ending to be satisfying, but enough unresolved conflict to keep us wanting to find out what happens next!

5. No sex, no profanity, no violence—no problem!

Besides my children’s stories and a few short stories, I’ve yet to write a romance that doesn’t contain at least one of those Rated-R items. Until now. Sure, there’s some sexual innuendo—Henry’s pretty darn hot in those Levis after all—but The Roche Hotel can safely be read by young teens and beyond with only mild danger of blushing.  Therefore, if I get any reviews complaining about how racy this series is, they’re either lying or starring in an episode of Extreme Monkover.

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Mysti Parker (pseudonym) is a wife, mom, author, and shameless chocoholic. She is the author of the Tallenmere standalone fantasy romance series. Her other writings have appeared in the anthologies Hearts of Tomorrow, Christmas Lites, Christmas Lites II, The Darwin Murders, Tasteful Murders and EveryDayFiction.

Other writing pursuits include serving as a class mentor in Writers Village University's seven week online course, F2K. She finished her first historical romance this spring and has one children’s book (Quentin’s Problem) soon to be published, with one more waiting for illustrations, and many more stewing in her head.

When she's not writing fiction, Mysti works as a freelance editor and copywriter. She also reviews books for SQ Magazine, an online specfic publication, and is the proud owner of Unwritten, a blog voted #3 for eCollegeFinder's Top Writing Blogs award. She resides in Buckner, KY with her husband and three children.


Author Links
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There will be special prizes (including chocolates) and other items of interest.

Other books by Mysti Parker:
The Tallenmere Series - Fantasy Romance



Monday, October 6, 2014

JACK WALLEN Five Things Learned Writing About the Apocalypse


[Five things learned writing about the apocalypse?! Crap! No one told me it the apocalypse was here!! Ahhhh!--PJW]

Jack Wallen
[I met the incomparable Jack Wallen at IMAGINARIUM 2014 in Louisville Kentucky. We sat on a few panels together discussing things zomboid and apocalyptic. He is a very cool character with a lot to say relevant to the real world and the fictional world within the genre he so much enjoys delving and writing. Without further adieu… --PJW]

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I’ve been writing apocalyptic fiction for some time now, enough to have eight books in one particular series. What does that mean…outside of spending a lot of time playing around in a rather bleak landscape? It means I’ve learned a thing or twelve about and from my genre of course—and the apocalypse that drives it. So I thought I’d share some words with fellow zpoc [Zpoc = zombie apocalypse—PJW] author Peter Welmerink.

Enough with the intro. Let’s make with the sexy!


1. The zombie is the perfect metaphor for modern day life.

Whether your mind has been made mush by your job in corporate America, by the never ending commercial push by companies wanting to SELL SELL SELL, or the never-ending monotony that can be the day-in-day-out of life: the plight of the zombie apocalypse—and the horde of monsters driving it – aligns perfect with that level of misery. The opening of “Shaun of the Dead” hits home this point to perfection. Oddly enough, people crave this validation—that their lives have been made forfeit by business, suits, and meetings. When you write something that connects to readers on that level, a very special transaction has taken place.

2. You’ve got to break up the horror with a taste of humor.

One of the built-in issues with the genre is you’re not only dealing with forcing a struggle upon the human condition, you’re also creating end of the world scenarios. For a reader to dive into a long series of apocalyptic fiction there’s a need for a bit of humor to survive the ride. That doesn’t mean you have to channel your inner stand-up comedian, but you do need to break up the horror with bits and pieces of humor. If you hammer the reader over the head with a barrage of suffering, angst, and terror; it’ll exhaust them. With that in mind, I tend to inject humor when it feels like I’m about to reach the point of too much AHHHHH!!! Not only does it give the reader a break, it also switches up the rhythm of the prose. For me, rhythm is very important.


3. We’d never survive the apocalypse.

This especially goes for Americans. We’re a very soft people. When the temperature rises about 80 or drops below 40, we’re uncomfortable. The mantra of our young is FWP--First World Problems. That is what we suffer. When/if the apocalypse actually happens, the majority of Americans will still be too concerned with taking selfies to notice the ashes and rubble around them. There are, of course, US citizens who will have an easier time with survival—those prepared to survive. This of course is not to say we’re weak. What we may lack in survivability, we make up for in drive, passion, and invention.

But the more I write apocalyptic fiction, the more I realize just how challenging survival will actually be. No phones, no lights, no motor cars … oh wait, wrong metaphor.

4. Women have been shafted in the genre.

One of the reasons I chose to have a female protagonist (from the second book in my series onward) is because women are not given a fair shake in the genre. You can turn to The Walking Dead to see a perfect example of this. In that world, women are relegated to relationship or mental fodder. Any time a strong woman appears, they are sent packing.

I read a lot of apocalyptic fiction before I started writing it and found woman were horribly represented. So I decided to change that with Bethany Nitshimi. Women play man crucial roles in the makeup of the human race—as many as (if not more than) men.  Imagine the human race surviving without women. Not gonna happen.



5. Readers want more and more and more.

When I first wrote I Zombie I, it was going to be a one-off story. When it was all said and done, I realized I had a lot more story to tell. So I decided to make it a trilogy. After I published the third book (Die Zombie Die), I found people (and myself) desperately wanting the story to continue. So I pulled all references to “trilogy” and picked the story up where it left off.

Fans of the apocalyptic genre want more and more. They don’t want one-off stories, they don’t want short-lived stories. What they want is something to latch onto and have it take them for a very long ride.



For any author considering dipping their toes into the zpoc genre, take these two things into consideration:

  • Be passionate about the genre, or be gone
  • Be prepared for the long haul

My I Zombie series currently has eight entries. Two of those entries are spin-off novellas, both of which will be series. I have found my readers want to see the story from every possible angle and get to know the world as deeply as possible. To that end, I have decided the story will inform me when it’s over. When it does conclude, I already have another series ready—one that is based on the current series.

It’s all about depth, breadth, and longevity.

[I can’t agree more with Mr. Wallen on his sentiments in those last couple paragraphs. I cannot see NOT writing within a genre you love, because if you don’t absolutely love it, how will a reader love what you write or the story you have to tell. Also, I swear (a bit too much sometimes) the more I write in my current zpoc-themed fictional world, the more interesting characters and scenarios scream at me to write down their story. The world is our oyster, though a black, sooty, burned up one. LOL—PJW]

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Links to Jack Wallen's work and other wanderings:


Thursday, October 2, 2014

JETTIE NECOLE: Five Things Learned Writing THE VAULT


Imagine an underground vault, empty, awaiting two hundred ticket holders of the finest intellect and genetic disposition to arrive. Designed to enforce a stable society to exist within its own rules, the vault is salvation for the wealthy. When a surprise nuclear attack threatens the United States, the vault's residents are driven underground to begin life anew, but one secret addition to the roster could make the entire system unravel. This is the world seventeen year old Olivia Parker finds herself locked inside, and she's not supposed to be there! Quickly she must learn and conform to the rules of this new society or face severe punishment. Surrounded by strangers, she's torn between trusting the man who forced her inside the vault or the genius who created it. If she's going to survive, she won't be able to do it alone.

The Vault: Upper Young Adult/New Adult Romance, Post-Apocalyptic, Dystopia

THE VAULT is a fast-paced novel that follows a seventeen-year-old girl's coming of age tale in an apocalyptic scenario where among the ruins of a shattered society love and hope endure.

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1. How to publish 101, doing it on your own.

I'd already written two unpublished novels, but I'd not taken the time to do anything about it. This book was my launching pad for figuring out the HOW’s and WHAT’s in getting my book out there, the indie way. So this would be my ticket to the other side. Everything from registering my work with the copyright office, buying an ISBN, formatting for e-book vs. print myself, to understanding why the heck my spine keeps moving. It was a big old adventure that had a lot of ups and difficult downs. In the end, I'd say I came out a graduate of the indie know-hows.

2. Doing it clean and pristine.

I published The Vault initially for a short period of two months. During my first promotion, I hit the top 100 and in three days gave away over 10,000 copies. That was my goal. When I got some harsh reviews on grammar, I realized I'd made a mistake and pulled it off for a re-edit. Not that my book was bad, I'm just a perfectionist and I couldn't deal with the knowledge of my book not being the best it could be.

Working with a professional editor for three months, who questions your motives and your sentence structure is a good thing. I've never been the queen of grammar. Actually, I'm terrified of the red pen. I'm a secretive person and sharing my work with someone is a vulnerable feeling, especially when tearing it apart is the entire purpose of the relationship. So, actually considering someone else's point of view was a learning process that made me a better writer. I noticed a big difference afterward. No more hits on my grammar and more attention to the plot.

When you're selling a brand it needs to be the best it can be.

3. Sometimes a character can surprise the author.

I think my favorite part about writing The Vault was minor characters come out of nowhere and take control, wanting their story to be told. Then, when editing comes into play, you realize their personal story doesn't even touch the page. Sometimes readers pick up on this in the smallest way and you find yourself writing a character who becomes bigger than the main character. I had a 60-year-old man write me before I did my re-edit and he said he was so touched by my story he cried. Okay. That's pretty big. Wow. So when I went back through with my re-edits, I made sure to be careful with those characters because people were already fond of them.

4. The end of the world is always happening.

One of the reasons I wanted to write this story was I'd always had a fascination with the World War II Era. The invasion of Baghdad was being televised live. I think it hit me then, that it could happen, a war to end wars. I'm sure every war brings forth such thoughts. The World War II Era and how Americans bought underground fallout shelters had been proof of that—the fear of attack reaching American soil seemed so far out there, but then 9/11 and the invasion of Baghdad happened. And so my ideas began to form and I thought it would make a great film or even a reality television show. The WHAT IF went down on my list of many ideas. About eight years later, I decided to write it as a novel instead. I began researching and people were still building underground shelters, they'd never stopped.

5. Writing is fun.

When I was writing The Vault, I did it because it was fun. Each scene was chosen because that's where I wanted to see my characters go. Not because I was following a formula or thought, "Hey this is what sells." I don't care what the trend is. I care about what is exciting for my characters, because that's exciting for me. [And if it is exciting and fun for you, it will probably be the same for the reader I have found.--PJW]

I also didn't allow others to sway my opinion on how I wanted to tell my story. I don't care if someone thinks Olivia is too naive, Gavin is too much of an alpha male, or there should be more death and gore. To me, this was a journey through the eyes of innocence. Keep reading because the dark side is coming, you just have to wait for it. When I get to it, that'll be fun too.

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Author Bio:

Jettie Necole was born and raised in Kentucky, she spent most of her time daydreaming, taking photos, shooting movies, reading and watching Star Trek and Highlander. Having a passion for the art of storytelling and the dynamics of film production, she earned a bachelor's degree in Film & Television from the University of Texas at Austin, during which she wrote, directed, and edited her own films. After graduation she moved to Los Angeles where she worked in the Film and Television industry. Currently she lives in Kentucky with her husband and their fluffy Goldendoodle named Oliver.


Links to THE VAULT



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